“William Sidney Mount and the Roots of Blackface Minstrelsy”
Tag: minstrel
United States it am de place (Rice, 1858)
This mysterious half-dialect minstrel song from Rice’s 1858 Method for the Banjo offers an intriguing glimpse into the economics and racial politics of the antebellum era…
Chaff: The Ethiopian Glee Book (1848-9)
Collects four-part settings of popular songs from the antebellum minstrel stage…
Rice: Correct Method for the Banjo… (1858)
with or without a master. / CONTAINING THE MOST POPULAR, Banjo Solos, Duets, Trios and Songs, / performed by the Buckley’s, Christy’s, Bryant’s, Campbell’s, White’s / And other Celebrated Bands of Minstrels of which the Author was a member.
Brown University: “African American Sheet Music”
“This consists of music by and relating to African Americans, from the 1820s to the present day, and consists of approximately 6,000 items. …”
Harvard: “American Minstrel Show Collection” (1823-1947)
Click to view collection guide from Harvard.edu: American minstrel show collection, 1823-1947 >> Master Diamond playbills >> T. D. Rice in character >> SCOPE & CONTENT: “The collection includes images of minstrel performers and troupes, playbills and programs of performances, and other miscellaneous materials concerning minstrel shows. The images are of individual minstrel performers and…
Ring, Ring De Banjo (Foster, 1851)
Frederick Douglass (1845) ~ “Slaves sing most when they are most unhappy. The songs of the slave represent the sorrows of his heart; and he is relieved by them, only as an aching heart is relieved by its tears…”
Kingdom Coming: “It was a proud moment for Robert” (1863)
Esther Hill Hawks ~ Diary (February 1863) ~ “It was a proud moment for Robert when he placed a guard of colored soldiers around the house of his former owner…”
Angelina Baker (Foster, 1850)
Stephen C. Foster ~ Letter to E. P. Christy (May 25, 1852) ~ “As I once intimated to you, I had the intention of omitting my name* on my Ethiopian songs, owing to the prejudice against them by some, which might injure my reputation as a writer of another style of music…”
Old Folks At Home (Foster, 1851)
Stephen Foster’s 1851 song “Old Folks At Home” provides an excellent introduction to the antebellum period: