Grants for NH community groups.
Tag: banjo
Dubois: “The Banjo” (2016)
“The growing of a new gourd in strange lands to replace the broken ones of the old, the crafting of strings to sound out new songs.”
CD: “Global Banjar”
Delineates the development of diverse national, racial, and class identities in antebellum pop/folk banjo music from various corners of the 19th century globe…
Epstein: “Sinful Tunes and Spirituals” (1978)
Black Folk Music to the Civil War
Walk in the Parlor (1850s)
Note especially the connections delineated between slavery, land, and knowledge…
Converse: New and Complete Method for the Banjo, With or Without a Master (A.K.A. “Green”) (1865)
This instructive tutor by the “Father of the Banjo” bears a distinctively Irish flavor …
Banjo History Videos
Here are some videos on banjo history, noting especially the early banjo’s roots in Africa and the Caribbean: Akonting Roundtable Segment One: The History and Music of the Akonting
Hamilton College: “Banjo Instruction Manuals” Collection
Includes instructors by Howe (a.k.a. Chaff) (1851),Converse (1867), Buckley (1868), & many more…
Rice: Correct Method for the Banjo… (1858)
with or without a master. / CONTAINING THE MOST POPULAR, Banjo Solos, Duets, Trios and Songs, / performed by the Buckley’s, Christy’s, Bryant’s, Campbell’s, White’s / And other Celebrated Bands of Minstrels of which the Author was a member.
Briggs: Banjo Instructor (1855)
“Containing the elementary principles of music, together with examples and lessons, … to which is added a choice collection of pieces, numbering over fifty popular dances, polkas, melodies, &c. &c., many of which have never before been published. Composed and arranged expressly for this work.”
Buckley: Banjo Guide (1868)
“Containing the Elementary Principles of Music, Together with New, Easy, and Progressive Exercises, and a Great Variety of Songs, Dances, and Beautiful Melodies, Many of Them Never Before Published.”
Ring, Ring De Banjo (Foster, 1851)
Frederick Douglass (1845) ~ “Slaves sing most when they are most unhappy. The songs of the slave represent the sorrows of his heart; and he is relieved by them, only as an aching heart is relieved by its tears…”