“They found a secret door to take them into that world where the tears are wiped away…”
Tag: slavery
I’m Off for California (1850s?)
Here’s a song you’ll recognize, and yet… it’s a side of the Gold Rush story you might not have heard about in school: The melody is Stephen Foster‘s first big hit, “Oh Susannah” (1847), ubiquitous in its time and still common in the “folk song” tradition over a century and a half later. Foster’s original composition features two world-changing technologies…
I’m Off for Nicaragua (Rice, 1858)
Phil Rice gives us this striking vision of slavery carried south in the service of the Filibuster president, General William Walker:
Uncle Tom’s Cabin (1852-1859?)
“Euclid… is no child for effecting social revolutions, but an impassioned song may set a world in conflagration.” ~ The London Times (3 September 1852)
Abrahams: Singing the Master (1993)
This carefully researched survey reconstructs the multicontinental roots of antebellum Southern cornshucking rituals:
Nelly Gray (Hanby, 1856)
Benjamin Hanby wrote Nelly Gray in 1856, in response to a fugitive slave case …
Mary Blane (1840s)
The lost-love minstrel tune “Mary Blane” was one of the most popular songs of the early minstrel era (see Mahar’s list):
Lucy Neal (J. P. Carter, 1844)
A relentless love song & bitter critique of slavery:
Allen &c.: Slave Songs of the United States (1867)
“The musical capacity of the negro race has been recognized for so many years that it is hard to explain why no systematic effort has hitherto been made to collect and preserve their melodies…”
Ring, Ring De Banjo (Foster, 1851)
Frederick Douglass (1845) ~ “Slaves sing most when they are most unhappy. The songs of the slave represent the sorrows of his heart; and he is relieved by them, only as an aching heart is relieved by its tears…”
Kingdom Coming: “It was a proud moment for Robert” (1863)
Esther Hill Hawks ~ Diary (February 1863) ~ “It was a proud moment for Robert when he placed a guard of colored soldiers around the house of his former owner…”
Angelina Baker (Foster, 1850)
Stephen C. Foster ~ Letter to E. P. Christy (May 25, 1852) ~ “As I once intimated to you, I had the intention of omitting my name* on my Ethiopian songs, owing to the prejudice against them by some, which might injure my reputation as a writer of another style of music…”